For the final a number of years, the obstacles feminine performers face in nation music have been widely documented and discussed, but situations haven’t improved a lot. The style favors a handful of massive stars, and presents few alternatives for development to youthful ones.
That mentioned, lately some rising singers — Gabby Barrett, Carly Pearce, Ingrid Andress, Lainey Wilson — have discovered success on the traditionally inhospitable nation radio airwaves. And TikTok has supplied an avenue to getting heard that elides Nashville infrastructure altogether, permitting performers like Priscilla Block a facet door to a large fan base, after which a file deal.
On this week’s Popcast, a dialog concerning the myriad ongoing boundaries confronted by ladies within the nation music enterprise, and the methods they’re manifested within the music itself.
Marissa Moss, co-author of the Don’t Rock the Inbox e-newsletter and writer of a forthcoming ebook on ladies in nation music, “Where Have All the Cowgirls Gone?”
Natalie Weiner, co-author of the Don’t Rock the Inbox e-newsletter and author about music for Billboard and others