For many years, Beverly Glenn-Copeland made music heard by a treasured few. In the early 1970s, he educated in classical music efficiency, after which launched a few folks albums. In the 1980s, he made new age keyboard music. For probably the most half, he labored in youngsters’s tv.
That music has been rediscovered now. Glenn-Copeland started performing for enthusiastic audiences a couple of years in the past, and his music is basically again in print. For Glenn-Copeland, who’s transgender, this acclaim has arrived in an period that’s much more welcoming than the one by which he was raised.
On this week’s Popcast, a dialog about Glenn-Copeland’s music; his winding path to a receptive, prepared viewers; and the way the precise music generally is a bulwark in opposition to cynicism and trauma.