In late 1966, Elektra Records signed a brand new band referred to as the Doors, and the label had a sense its debut was particular. To forestall the album from getting misplaced within the crowded fourth-quarter market, Elektra released it at the start of the next year, when it confronted scant competitors. “The Doors” grew to become a sensation, ultimately reaching No. 2 on the Billboard chart.
The technique of rolling out a scorching album within the January doldrums proved profitable as soon as once more this yr with “Dangerous: The Double Album” by Morgan Wallen, a rustic singer-songwriter who rode a variety of buzz to an instant No. 1.
But the charts have not often been as static as they’ve been this yr, as large stars have largely held off releasing new materials. That helped Wallen maintain at No. 1 for eight weeks now — whilst he came under fire final month for utilizing a racial slur — and in addition given a bonus to Olivia Rodrigo, an 18-year-old singer and actress, who has now dominated the singles chart for eight weeks along with her track “Drivers License.”
“Dangerous,” which has held robust streaming numbers because it was launched, had the equal of 82,000 gross sales within the United States final week, together with 103 million streams and 6,000 copies bought as an entire bundle, based on MRC Data, Billboard’s monitoring arm. With few main challengers, “Dangerous” might maintain at No. 1 for a ninth week, though competitors is coming from Justin Bieber and Drake.
“Drivers License,” which had almost 20 million streams final week, might not maintain the highest spot for much longer, after the long-awaited launch of three new Drake songs on “Scary Hours 2.”
The remainder of this week’s album chart is dominated by different current hits, most of which have hovered within the Top 10 for weeks if not months: The Weeknd’s hits compilation “The Highlights” (No. 2), Pop Smoke’s “Shoot for the Stars Aim for the Moon” (No. 3), Pooh Shiesty’s “Shiesty Season” (No. 4) and Lil Durk’s “The Voice” (No. 5).
The highest-charting new launch was Julien Baker’s “Little Oblivions,” at No. 39.