Freddie Redd, a pianist and composer who launched a pair of well-received albums for Blue Note Records within the early 1960s, then spent greater than half a century bouncing by completely different cities as an envoy of jazz’s golden age, died on March 17 at a care facility in Manhattan. He was 92.
His grandson Leslie Clarke mentioned he had died in his sleep, however didn’t give a trigger.
Mr. Redd is finest identified for writing the music for “The Connection” (1959), an Off Broadway play by Jack Gelber that depicted the lives of heroin-addicted musicians in New York, and that two years later grew to become a famend movie directed by Shirley Clarke. Mr. Redd appeared in each.
Largely self-taught, Mr. Redd was significantly identified for his compositions and for his talent as an accompanist. Even when he was the one soloing, his left hand’s roving chords had been typically as wealthy as his proper hand’s improvised strains.
“The Music From ‘The Connection,’” launched in 1960, was Mr. Redd’s first album for Blue Note; it was adopted in 1961 by the equally acclaimed “Shades of Redd,” which featured an all-star band: the alto saxophonist Jackie McLean (who was additionally in “The Connection”), the tenor saxophonist Tina Brooks, the bassist Paul Chambers and the drummer Louis Hayes.
He recorded one other album’s price of fabric in 1961, however these tapes had been shelved after Mr. Redd had a falling-out with one in every of Blue Note’s founders, Alfred Lion. It was lastly launched as “Redd’s Blues” in 1988. His studio profession slowed down, and by the mid-1960s he had moved to Europe, the place for audiences his presence grew to become symbolic of a vanishing halcyon age in small-group jazz.
A local New Yorker, Mr. Redd did the inverse of the pilgrimage made by most main jazz musicians: He began his profession on the middle of the jazz universe, then moved out. And moved, and moved once more.
From the mid-’60s on, he would spend stretches in Copenhagen, Amsterdam, Paris, London, Pittsburgh, San Francisco, Los Angeles, Guadalajara, Baltimore and Carrboro, N.C. In his 80s he returned to New York, the place he recorded two albums for the SteepleChase label and spent his remaining years.
Mr. Redd told The New York Times that his peripatetic profession had supplied him inventive satisfaction, if not at all times honest pay.
“I like to move around,” he mentioned in a 1991 interview. “It’s always refreshing because you don’t know the nuances, the tricks of the new place. Unfortunately, the price I’ve paid for being a maverick is living a lifestyle that hasn’t been particularly supportive. But I don’t have regrets. There’s a lot out there to find out about, and sometimes you can’t do it in a week or a month.”
Freddie Redd Jr. was born in Harlem on May 29, 1928, to Freddie and Helen (Snipes) Redd. His father was a porter who performed the piano at dwelling, and his mom was a homemaker. His father died when Freddie was 2, however he left behind the instrument on which Freddie would train himself to play.
In addition to his grandson Mr. Clarke, Mr. Redd is survived by a stepdaughter, Susan Redd; two different grandchildren; and two step-grandchildren. His spouse, Valarie (Lyons) Redd, died earlier than him, as did his kids, Stephanie Redd and Freddie Redd III.
Mr. Redd was drafted into the Army in 1946. He later remembered first listening to bebop whereas stationed in South Korea, on a report performed by a fellow service member. He was hooked.
After returning to New York in 1949, he began enjoying with leaders on the scene like Art Blakey, Gene Ammons, Sonny Rollins and Art Farmer; he recorded his first album, “Freddie Redd Trio,” for Prestige in 1955 and hung out in California performing with Charles Mingus.
“During that period, we realized that we were a brotherhood; we were all after the same thing,” Mr. Redd advised The Times, remembering his colleagues on the fashionable jazz scene within the 1950s. “We were drawn to the inspirational aspect of the music. It was a wonderful time.”
After being arrested for marijuana possession, he misplaced his cabaret card, a doc issued by law enforcement that was required of anybody performing in nightclubs. Unable to work in golf equipment, he moved right into a loft in Greenwich Village and have become a part of a scene that included visible artists, poets and different musicians.
There Mr. Redd met the actor Garry Goodrow, who had simply been solid in “The Connection,” a brand new play on the Living Theater that put the lives of heroin-addicted musicians on intimate show. That led to an introduction to Mr. Gelber, who employed him to compose the music and carry out as a member of the solid.
Though the movie model of “The Connection” is now acknowledged as a basic of indie cinema, its uncooked and unflinching portrayal got here into the cross hairs of censors within the United States, the place it was rarely screened.
A couple of years later, in one in every of his few pop studio dates, Mr. Redd was the organist on James Taylor’s debut single, “Carolina in My Mind.”
In the liner notes to a Mosaic Records boxed set, “The Complete Blue Note Recordings of Freddie Redd” (1989), Jackie McLean mirrored on Mr. Redd’s chimerical profession. “You never know what town you’ll see” the pianist in, he wrote. “He’s always been itinerant. Freddie just appears from time to time, like some wonderful spirit.”